Hootenanny
Pancakes
By
Sarah Moon
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And
the door swings open. And the door swings open and open again and
never shuts all the way. All sorts of things come in through the door.
All sorts of people. Ideas. Gifts. Tombstones.
R.I.P. this. R.I.P. that. Give to the poor, say the young men
in white suits and purple hats with feathers. It’s not that
they aren’t welcome, but there’re so many of them. There
are women wringing their hands because their husbands lost their jobs
and they have two kids and a dog. And they’re wondering if they
could borrow laundry detergent. They’re wearing aqua sweatpants.
That’s during the day. At night there are people who want to
have sex with you. They dance around you with scarves and it embarrasses
you. You’re turned on, but you don’t know what to do.
They try to teach you, but you can’t stop laughing and sticking
your tongue out in all the wrong places. There are fathers and mothers
who come in and cook you meals. Barbecued pork and new potatoes. Wine.
Apple pie for dessert. It seems excessive, but they take pleasure
in feeding you, so you eat. Sometimes you have cravings for
bowls of crunchy salads and sometimes the opposite, macaroni and cheese
with lots of butter and mayonnaise. Sometimes pancakes.
You
were sitting down to coffee and the newspaper when music began playing
very loudly. A troop of folk singers were slowly filing into your
kitchen. You thought immediately that you must hide the carelessly
piled recycling and the greasy meatloaf pan that your roommate had
let sit and coagulate for three days. You do not question the folk
singers’ presence, you just wish you were better prepared to
receive them.
They
are as they would have been forty years ago - wearing worn dungarees,
button-down work shirts and fisherman caps. They are pouring
their hearts out. They are strumming and clapping. And holding hands.
When they finish you applaud and ask if they like pancakes. You’ve
always wanted this. Friend/musician/artist/bohemians sitting down
to breakfast in a sun-filled kitchen. Luckily you have a full
pot of coffee and you fill a mug for everyone. It’s not so strange.
They’re all well-known musicians, particularly to you. You notice
that Joan Baez and Bob Dylan are on opposite sides of the room. Someone
strums a guitar quietly and everyone chatters. They ask you questions
about what you like to do, what your plans are for the summer. You
notice for the first time that Richard Farina is holding a skeleton
on his lap and using him as a puppet to ask all the questions. So
you ask him, “Richard, how’s your novel going?”
And the skeleton answers, “What novel?” “I understand,”
you say. Really, he wanted everyone to know he was writing a novel,
but he wanted everyone to think he didn’t want them to know.
Where Bob Dylan felicitously executed his mystery, Richard Farina
poured gasoline on his body, set himself on fire then hid his burning
body from you with a sheet. He was the most relentless provocateur.
When you glanced up from the griddle, his skeleton was smoking a cigarette.
You
set a steaming plate of pancakes piled high on the table. Everyone
took a fork and stabbed at them. Some of the pancakes tore in half,
some tore into pieces and there was a near food fight. By the time
the plate was empty, you had fresh pancakes to pile back on it. You
felt like you could keep them in your kitchen forever as long as you
kept making pancakes. Richard requested a plate for his skeleton and
put one perfectly formed pancake on it. You took a break from the
stove and sat down next to him. You flashed him a big grin to let
him know you were friendly. Not that he wouldn’t have gotten
that already, but you wanted to be sure. “Stop” you told
yourself, “you’re trying too hard.” You were trying
too hard. You should have been playing it cooler. You decided to play
with Richard a little so you asked him what the skeleton’s name
was. “Franz” he told you. You asked if Franz was German.
“Could be, though I have no way of telling because he’s
a skeleton.” “Why do you give him food?” you asked.
You didn’t know if he would pretend to be offended because you
weren’t willing to take the ruse at face value. Or would he
come up with a joke, something absurd? Something absurd, you thought,
almost definitely. So you were very surprised when he took a moment
before answering. “Tell her, Richard” said Bob. Another
moment. Then Richard turned to you and said, “Some people make
offerings of the food they eat to their god first, to show appreciation
and respect to God for providing for them. I don’t worship a
god. I think of all humanity as holy, the dead are most holy because
they came before us and they have something to teach us. So I offer
food to Franz as a show of respect for humanity, for our ancestors.”
Joan
burst out laughing, “Jesus Christ, Richard” and leaned
over to me, “He stole him from the NYU biology department. He
thought it was the best prank ever. He took a picture of himself and
Franz eating a candle-lit dinner together and sent it to the head
of the department! What did you write on the back, Richard?”
“I
was being serious, Joan.”
“Yeah,
yeah, yeah, but what did it say on the back of the picture?”
“It
said ‘He’s in a better place.’”
Joan
laughed loudly and clapped her hands together. Bob smirked and took
another drag of his cigarette. It was at this moment that you realized
Bob hadn’t taken any pancakes. He hadn’t eaten anything.
You hadn’t spoken to him yet and you were very nervous. But
you lifted the plate which still held two pancakes and said, “Bob?”
He waved his cigarette-smoking hand at the plate and smiled. “Bob
don’t eat,” Richard grinned, “he just pop amphetamines.”
“Fuck off Richard,” and Bob stood up to look out the window.
You
didn’t know that Richard would die in a motorcycle accident
when he was still barely a newlywed. You didn’t know that Joan
would ash away, her voice turning from richness to smoke. You didn’t
know that Bob would change a hundred times, so that you would never
know him. You felt, though, that you knew him. In that moment. As
he stared out the window. You knew what he was staring at. It
was that time. Every day at that time. The little old neighbor woman
walked out her screen door with a very small dog in her arms and set
it down on the top stair. She watched as it scampered down.
Then, slowly, straight arm bracing the railing, she followed it, looking
ahead as she descended. Performing this final duty of love,
so weary, almost unable to walk, but alive because she had to.
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Sarah
Moon lives in Carroll Gardens with her roomate Nick and cat Jasper.
She teaches writing at Baruch College and Fordham Univeristy where
her students are always making up fabulous stories...to explain their
absences. She received her MFA in playwriting from Brandeis University
where her play Losing the Game was produced in the spring of 2004.
Her poetry has been published in Rosebud Magazine.
©
2005 Me Three